• Single-channel HD Video, colour, audio, duration 15:18 (loop). Research, concept, narrative and Touch Designer editing by Ciwas Tahos (Anchi Lin), Voiced by Inbis 陳秋燕, Sound Design by 林子寧, Touch Designer glitch-effect technical support by 吳承儒
• 田調訪問對象：
  Inbis 陳秋燕
  Inbis 尤威仁
  Vukin Takalomay 吳俊霖
  Alak Akatuang 段洪坤
  台南官田雅麗絲髮廊
  

《Temahahoi na Tirosen》 探討數位媒介、口傳歷史與感知之間的斷裂與重組。作品的核心構建於一次失效的田野記錄——2019年於台南麻豆三元宮公廨拍攝時發生的 「全片當機」 的經驗。 

本計畫將歷史文獻中關於「荷治時期 Inbis 被流放至諸羅山（Tirosen）」的記載，與創作者的潛意識夢境進行疊合。在作品中，數位亂碼不再是技術性的錯誤，而是作為一種「邊界模糊」的語彙，模糊著在歷史幽谷中流離的 Inbis（西拉雅族的尪姨） 與口述中 Temahahoi 祖先們可能的相遇， 透過與 Inbis 陳秋燕的聲音協作重構 。

This artwork carries a little story behind it: In 2019, I had the opportunity to participate in an artist residency at the Tsung-Yeh Arts and Cultural Centre in Madou, Tainan. One evening, an enthusiastic local cultural historian took me to a nearby temple called Sanyuan Temple. He passionately explained the temple's history, showing me its Han-style architecture at the front, and then led me to the back to reveal a tiny Kuva (a traditional Siraya ancestral shrine). By chance, we ran into Inbis (spiritual medium), whose name is Chiu-Yen Chan, who was conducting the ritual. The local historian uncle told me it was fine to take photos and document the moment. However, when I went to organise my files, my Sony video camera’s footage was entirely glitched. I was so startled that I ended up deleting all the files on the spot (interpreting it as Alid, the ancestral spirits, refusing to be filmed, so I kept this memory quietly in my heart. Later in 2024, I came across a historical document mentioning that during the Dutch occupation period, a large group of Inbis was exiled to Tirosen (its exact location remains unknown). Some said it could be the mountain area. I carried this piece of history in my mind for a while, until one night, I dreamed of the exiled Inbis encountering Temahahoi women in the mountains. In 2026, I finally visited Inbis Chiu-Yen Chan to share what had happened and invited her to narrate the videowork. This project serves as a way of reconciling my encounter to Alid. I invited Inbis to speak my text for my glitched historical experimentation where I imagine glitches as the liminal space where the exiled Inbis and Temahahoi meet.